I’ve spent a bit more time reviewing books this year, including a handful of 175-word advance reviews for Booklist, the publication of the American Library Association. I was happy to write a somewhat longer review of an important new book that combines memoir and environmental reporting in what was once my home state of Maine. The book is Mill Town, by Kerri Arsenault. My review appeared in the Minneapolis Star Tribune in August:

https://www.startribune.com/review-mill-town-reckoning-with-what-remains-by-kerri-arsenault/572251082/

When the Crystal Bridges Museum of Art in June became one of the first cultural institutions to reopen since the widespread pandemic shutdown began in mid-March, I made a day trip down to Bentonville, Ark., to report on the museum for The Art Newspaper. Along with the precautions I found a surprising resonance with the social upheaval that began just a couple of weeks earlier after the police killing of George Floyd in Minneapolis:

https://www.theartnewspaper.com/review/visitors-return-to-crystal-bridges-amid-adaptations-and-provocations

As the Charlotte Street Foundation prepared to finish building out its new headquarters building, I’d begun work on a profile of its executive director Amy Kligman. And then came the pandemic, which provided the story a sense of drama and urgency. Here’s the link:

http://kcstudio.org/the-art-of-adaptation-charlotte-street-foundation/

For KC Studio, I devoted my bimonthly column to the departure of the Nelson-Atkins Museum of Arts curator of Native American art:

http://kcstudio.org/gaylord-torrence-transformed-native-american-presence-at-nelson-atkins/

And this one, which celebrated the contributions of Bobby Watson to the Kansas City jazz scene:

http://kcstudio.org/after-20-years-in-academia-bobby-watson-will-travel-jazz-world-again/